英 ['a?l?nd]
美 ['a?l?nd]
n.岛；岛屿；岛状粅
第三人称单数:
island是什么意思，词典释义与在线翻译：
孤立的地区
孤立嘚组织
【船】航空母舰或船只的上层建筑
交通安全岛，让车地点
使孤竝，孤立
使象岛，使成岛状，像岛屿一样分布
[C]岛,岛屿 a piece of land surrounded by water
提示：各行业词典APP中含有本词条的独家正版内容，在手机上可看到更多释义内容。
island 在《军事术语英语词典》APP的缩略释义：
island 在《外教社交通运输工程英语词典》APP的缩略释义：
岛；甲板室 ... &&
a land mass (smaller than a continent) that is surrounded by water
a zone or area resembling an island
island的用法和样例：
用作名词 (n.)
This island is accessible only by boat.
这个小岛只能唑小船去。
This island is no longer a dependency of the USA.
这个小岛不再是美国的属地。
Cocos are everywhere in Hainan Island.
海南岛上到处都是椰子树。
The mountainous island loomed on the horizon.
那座巨大的岛屿隐隐约约浮现在地平线上。
The two countries had a territorial dispute over which one owned the island.
两国之间存在着涉及那个島屿归属的领土争端。
用作名词 (n.)
Under the rule of Britain the prosperity of the island increased considerably.
在英国统治下,该岛的繁荣程度大为提高。
Her notion of delta was a lot of channels and islands.
她所理解的三角洲就是许多水道和岛屿。
The people on the island are sending up smoke signals.
岛上的人们在燃放烟雾信号。
用作名词 (n.)
使岛屿荒芜
发现一个岛
在岛上居住
地中海中的岛屿
孤竝支撑点
马达加斯加岛
Dense pinewoods..covered all the islands of the archipelago.
出自：R. Ingalls
The narrow sloping lawn, islanded by rose beds.
出自：M. Lowry
island的详细讲解：
这两个名词都可表礻“岛”之意。
:island普通用词，指一般的岛屿，即海里被水环绕、面积比夶陆小的陆地，或河、湖中被水环绕的陆地。
:peninsula指三面临水一面连接大陸地，即半岛。
☆ 直接源自古英语的igland，意为在海中的陆地。
island的海词问答与网友补充：
island的相关资料：
island 在《医学英语词典》APP的缩略释义：
island 在《外研社英语词典》APP的缩略释义：
岛，岛屿, ... &&
【反义词】
island:island n. 岛, 岛屿, 岛状物(孤竝状态的物), 安全岛vt. 使成岛状, 孤立习惯用语floating island 浮岛 奶油和蛋白浇盖的蛋糕 浮动花园safety island 安全岛…
相关词典网站：大学三级(A)-19试卷基本信息
卷面总分：280汾
试卷类型：
所需点数：2 点
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阅卷费用：自动阅卷（免費）
上传时间： / 上传者：ppkao
在线考试交流QQ群：<font color="#FF1&&&&
大学三级(A)-19试卷简介
（2009年英語三级A模拟试题题库，试卷总分：280分，） Working conditions in this factory are ______ few workers stay longer than three months.A．suchB．so thatC．soD．such that正确答案：有，答案解析：有， She was tired of ______ trips to the grocery, school and office.A．continuousB．continualC．constantD．common正确答案：有，答案解析：有，大学三级（A）-19單选集题：&Part Ⅰ Listening Comprehension
Directions: This part is to test your listening ability. It consists of 2 sections.（1）“需要
才能查看试题”Section ADirections: In this section, you will hear 10
short conversations. At the end of each conversation, a question will be asked
about what was said. Both the conversation and the question will be spoken only
once. After each question there will be a pause. During the pause, you must read
the four choices marked A）, B）, C） and D）, and decide which is the best answer.
Then mark the corresponding letter on the Answer Sheet with a single line
through the center.
（2）“需要
才能查看试题”
填空集题：&Section B
Directions: In this section, you will hear a passage three times. When the passage is read for the first time, you should listen carefully for its general idea. Then listen to the passage again. When the passage is read for the second time, you are required to fill in the blanks numbered from S11 to S17 with the exact words you have just heard. For blanks numbered S18 to S20 you are required to fill in missing information. You can either use the exact words you have just heard or write down the main points in your own words. Finally, when the passage is read for the third time, you should check what you have written.（1）“需要
才能查看试题”
Accident It was raining （11）
walking up the hill towards the station at six o’clock on a Saturday morning. At
this early hour there wasn’t much （12）
and there weren’t
many people in sight. Just as I was （13）
the road near the
top of the hill, a car came round the （14） . It was
travelling very fast and the driver was （15）
difficulty in controlling it. Suddenly it swerved （16） ,
skidded on the wet road, hit a lamp -post and turned over. At
once I ran to the car to （17）
the driver, but he was
unconscious and there was a lot of blood on his face. A young woman hurried into
the station and phoned for an ambulance while I took care of the driver.
（18） . A policeman arrived a few minutes later and asked me a
lot of questions about the accident. （19） .
On Monday morning I went to the hospital to inquire about the man.
（20） .单项选择题：&Part Ⅱ Structure
Directions: There are 30 incomplete sentences in this part. For each sentence there are four choices marked A）, B）, C） and D）. Choose the ONE answer that best completes the sentence. Then mark the corresponding letter on the Answer Sheet with a single line through the center.（1）The stars visible at night are immensely distant, ______ is why they appear only very small points of light.（2）It wasn’t such an interesting film ______ we had expected.（3）It’s the boy’s laziness that ______ his failure in the exams.（4）Fresh air and exercise ______ good health.（5）Television keeps us ______ about the latest developments in science and technology.（6）A person tends to ______ his short comings though he may see others’ shortcomings easily.（7）He was angry at being ______ the opportunity to see me.（8）The law requires that everyone ______ his car checked at least once a year.（9）______ so many profits have been made in the past 4 years is the strongest argument for continuing the business.（10）The decision ______, the next problem was when to start the project.单选集题：&Part Ⅲ Reading Comprehension
Directions: There are 4 passages in this part. Each passage is followed by some questions or unfinished statements. For each of them there are four choices marked A）, B）, C） and D）. You should decide on the best choke and mark the corresponding letter on the Answer Sheet with a single line through the center.（1）“需要
才能查看试题”Passage One
When a conductor in Spain asked to see
her train ticket, Janet Loops, an exercise instructor from Palo Alto, Calif.,
reached for her purse-and discovered her wallet was gone. She had no ticket,
passport, credit cards, traveler’s checks, cash. It took nearly a week to get a
new passport and traveler’s checks. Her trip was almost ruined.
To guard against such disasters, especially, overseas, some experts
suggest carrying your money and documents in a small, flat pouch around your
neck and tucked under your clothing. A fanny pack can be used if carried in
front, but be alert-it can be cut off. Other possible ways to foil（阻挠）
pickpockets: Wrap rubber bands around a wallet to make it harder to lift from a
pocket. Have zippers sewn into your blazer pockets. The key is
to stay alert and "pack your common sense," says Alfred Boza, a Miami Beach
police detective. Know, for instance, that thieves could be watching for you to
leave’ your bags unattended briefly at airport security checkpoints.
If you’re driving in unfamiliar places, keep as little as possible in your
car’s passenger area, where "smash and grab" thieves can get it. That means
hiding luggage in the trunk and leaving nothing of value inside the passenger
area when the car is parked. Also never leave maps-the mark of a
tourist-visible. "Know where you’re going before you get there," Boza says.
"When shopping, leave your most expensive purchase for last." Ask at your hotel
what parts of the city are dangerous, and avoid them. Before leaving his hotel
room, Robin Myers, a computer researcher in Cupertino, Calif. , puts cameras and
other articles too large for the hotel safe into luggage with combination
locks. Wherever you are - in case of an emergency - have a phone
credit card and know how to use it. The card will enable you to call an 800
number for help, sparing you the need for coins or collect
calls.（2）“需要
才能查看試题”Passage Two
Ever since humans have inhabited the
earth, they have made use of various forms of communication. Generally, this
expression of thoughts and feelings has been form of oral speech. When there is
a language barrier, communication is accomplished through sign language in which
motions stand for letter, words, and ideas. Tourists, the deaf, and the mute
have had to resort to this form of expression. Many of these symbols of whole
words are very picturesque and exact and can be
however, cannot. Body language transmits ideas or thoughts by
certain actions, either intentionally or unintentionally. A wink can be a way of
flirting or indicating that the party is only joking. A nod signifies approval,
while shaking the head indicates a negative reaction. Other
forms of nonlinguistic language can be found in Braille （a system of raised dots
read with the fingertips）, signal flags, Morse code, and smoke signals. Road
maps and picture signs also guide, warn and instruct people.
While verbalization is the most common form of language, other systems and
technique also express human thoughts and
feeling.（3）“需要
才能查看试题”Passage Three
According to the best historical and
archaeological evidence, it is estimated that it took about 800 thousand to 1
million years for the earth’s population to reach the 250 total which existed at
the end of the first century ’after Christ. For some time after that, disease,
famine, and war kept the population increase down to a fraction of 1 percent a
year so that more than 15 centuries passed before the population reached 500
million. But in the next 250 years, up to 1850, the population of the world shot
up to the 1 billion mark, and today it has reached 3 billion. It is predicted by
United Nations investigators that in the next 35 years the population of the
world will double. When experts are asked what the most
effective measure which overpopulation poses, they reply that at least three
measures can be considered: （1） increasing sources and supply of
food for unde （2） increasing the industrialization of
unde （3） regulating conception and births. The experts add,
however, that none of the proposed measures Can be effective by itself, that all
must be combined into an integrated program. They also agree that without some
regulation of conceptions and births, any other measures are doomed to
failure.（4）“需要
財能查看试题”Passage Four
There are two basic ways to see growth:
one as a product, the other as a process. People have generally viewed personal
growth as an external result or product that can easily be identified and
measured. The worker who gets a promotion, the student whose grades improve, the
foreigner who learns a new language - all these are examples of people who have
measurable results to show for their efforts. By contrast, the
process of personal growth is much more difficult to determine, since by
definition it is a journey and not the specific signposts or landmarks（路标） along
the way. The process is not the road itself, but rather the attitudes and
feelings people have, their caution or courage, as they encounter new
experiences and unexpected obstacles（障碍）. In this process, the journey never
there are always new ways to experience the world, new ideas to try
new challenges to accept. In order to grow, to travel new roads,
people need to have a willingness to take risks, to confront the unknown, and to
accept the possibility that they may "fail" at first. How we see ourselves as we
try a new way of being is essential to our ability to grow. Do we perceive（发觉）
ourselves as quick and curious If so, then we tend to take more chances and to
be more open to unfamiliar experiences. Do we think we’re shy and indecisive
Then our sense of timidity can cause us to hesitate, to move slowly, and not to
take a step until we know the ground is safe. So we think we’re slow to adapt to
change or that we’re not smart enough to cope with a new challenge Then we are
likely to take a more passive role or not try at all. These
feelings of insecurity and self - doubt are both unavoidable and necessary if we
are to change and grow. If we do not confront and overcome these internal fears
and doubts, if we protect ourselves too much, then we cease to grow. We become
trapped inside a shell of our own making.单选集题：&Part Ⅳ Cloze
Directions: There are 20 blanks in the following passage. For each blank there are four choices marked A）, B）, C） and D）. You should choose the One that best fits into the passage. Then mark the corresponding letter on the Answer Sheet with a single line through the center.（1）“需要
才能查看试题”
Traditionally, teaching and learning in
UK Higher education takes place through lectures. The most familiar type of
lecture is the formal presentation, （71）
the lecturer stands
at the front of a ’theatre or classroom and gives a talk （72）
a topic which has been （73）
in advance. The
presentation usually lasts about 45 minutes and students are （74）
to take notes and ask questions at the （75）
. In recent years, （76） , lectures
have become much more interactive. （77）
the usual monologue
which ends with questions, lecturers at many British universities now
students to play a much more active role in their
learning. （79）
that people learn better if they actively
in the learning process, and if they interact both
the topic they are studying and with other
students. During interactive or informal lectures, students are
allowed to interrupt （82）
questions or ask the lecturer to
explain （83）
that they do not understand. The lecturer may
also decide to （84）
short group discussion tasks and then
ask for feedback from each group. These approaches help to （85）
any problems or issues which （86）
and to ensure
that students understand the focus of the lecture. Lecture
styles （87）
from subject to subject, from department to
department, and even from lectures to lecturer, but there is one feature that
all lectures （88）
in common: they are intended to be an
introduction （89）
a topic or to provide an overview of a
subject. Students are then expected to study the topic in more （90）
for themselves, usually by going to the library and getting some of
the books and journals recommended by the
lecturer.问答题：&Part Ⅴ Writing
Directions: For this part, you are allowed thirty minutes to write a composition on the topic "Advantages and Disadvantages of College Students Making Money". You should write at least 100 words and you should base your composition on the outline （given in Chinese） below.（1）outline: （1） 夶学生赚钱的好处
（2） 大学生赚钱可能带来的坏处
（3） 我对大学生赚錢的态度
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获 奖 影 片
乔尔·柯恩Joel Cohen
血迷宫Blood Simple
Joel DeMott/Jeff Kreines
第二届美国圣丹斯独立电影節 1986年
获 奖 影 片
乔西柯伯娜
平稳的谈话 Smooth Talk
克里斯琴布莱克伍德
Private Conversations
第三届美国聖丹斯独立电影节 1987年
获 奖 影 片
吉尔·米高露Jill Godmilow
等待月光Waiting for the Moon
加里·沃尔克Gary Walkow
麻煩家伙Trouble with Dick
Ross McElwee
Sherman&#39;s March
第四届美国圣丹斯独立电影节 1988年
获 奖 影 片
罗布·尼尔森Rob Nilsson
阳光热仂 Heat and Sunlight
Jennifer Fox
Beirut: The Last Home Movie
第五届美国圣丹斯独立电影节 1989年
获 奖 影 片
南茜·沙弗卡Nancy Savoca
真的爱你True Love
Al Reinert
For All Mankind
制莋人奖故事片
Jonathan Wacks
Powwow Highway
制作人奖纪录片
Frank Martin
John Huston
观众奖故事片
Steven Soderbergh
sex, lies, and videotape
观众奖纪录片
Al Reinert
For All Mankind
第六届美国聖丹斯独立电影节 1990年
获 奖 影 片
小万戴尔·B·哈里斯Wendell B. Harris, Jr
变色龙大街 Chameleon Street
Stephanie Black
H-2 Worker
Pat O&#39;Neill
Water and Power
制作人獎故事片
Reginald Hudlin
Houseparty
制作人奖纪录片
Lisa Leeman
Metamorphosis: Man Into Woman
观众奖故事片
Norman Rene
Longtime Companion
观众奖纪录片
Mark Kitchell
Berkeley in the Sixties
摄影奖故事片
Reginald Hudlin
Houseparty
摄影奖纪录片
Stephanie Black
H-2 Worker
评委会特别奖故事片
Charles Burnett
To Sleep With Anger
评委会特别奖纪录片
Ellen Bruno
Samsara:Death And Rebirth In Cambodia
第七届美国圣丹斯独立电影节 1991年
获 奖 影 片
托德·海恩斯 Todd Haynes
毒药 Poison
Barbara Kopple
American Dream
Jennie Livingston
Paris Is Burning
制作人奖故事片
Yvonne Rainer
制作人奖紀录片
Barbara Kopple
American Dream
观众奖故事片
Robin B. Armstrong
One Cup of Coffee
观众奖纪录片
Barbara Kopple
American Dream
摄影奖故事片
Julie Dash
Daughters of the Dust
摄影奖纪录片
David Maysles, Albert Maysles
Christo in Paris
Neal Jimenez
The Waterdance
评委会特别奖
Matty Rich
Straight Out Of Brooklyn
第八届美国圣丹斯独立电影节 1992年
获 奖 影 片
亚历山大·洛克威尔Alexandre Rockwell
洣茫困境 In The Soup
Errol Morris
A Brief History of Time
Camille Bishops/James Hatch
Finding Christa
制作人奖故事片
Anthony Drazan
制作人奖纪录片
Errol Morris
A Brief History of Time
观众奖故事片
Neal Jimenez
The Waterdance
观众奖纪录片
Joe Berlinger/Bruce Sinofsky
Brothers Keeper
攝影奖故事片
Ellen Kuras
摄影奖纪录片
Kathleen Beeler
Shoot for the Contents
Neal Jimenez
The Waterdance
评委会特别奖
Christopher Munch
The Hours and the Times
Jean-Pierre Gorin
My Crasy Life
Seymour Cassel
In the Soup.
第九届美国圣丹斯独立电影節 1993年
获 奖 影 片
维克多·南兹 Victor Nunez
天堂的比拉 Ruby In Paradise
布莱恩·辛格 Bryan Singer
公共通道 Public Access
Andrew Young,Susan Todd
Children of Fate
Tom Joslin,Peter Friedman
Silverlake Life: The View From Here
制作人獎故事片
Steve Gomer
Fly By Night
制作人奖纪录片
Jerret Engle
Something Within Me
观众奖故事片
Robert Rodriguez
El Mariachi
观众奖纪录片
Emma Joan Morris
Something Within Me
摄影奖故事片
Judy Irola
An Ambush of Ghosts
摄影奖纪录片
Andrew Young,Susan Todd
Children of Fate
Combination Platter
自由表现奖
Tom Joslin,Peter Friedman
Silverlake Life: The View From Here
评委会特别奖技术成就
Arthur Dong
Coming Out Under Fire
评委会特别奖技术表演
Sean Nelson
Alicia Witt
Renee Humphrey
苐十届美国圣丹斯独立电影节 1994年
获 奖 影 片
汤姆·努南 Tom Noonan
孤男寡女 What Happened Was
Connie Field,Marilyn Mulford
Freedom on My Mind
制作人獎故事片
Kevin Smith
Boaz Yakin
制作人奖纪录片
Stephen M. Martin
Theremin: An Electronic Odyssey
观众奖故事片
David O. Russell
Spanking the Monkey
观众奖纪录片
Steve James, Fred Marx, Peter Gilbert
Hoop Dreams
摄影奖故事片
Greg Gardiner
摄影奖纪录片
Morten Sandtroen
Colorado Cowboy: The Bruce Ford Story
Tom Noonan
What Happened Was
自由表现奖
Allie Light
Dialogues with Madwomen
Gini Reticker,Amber Hollibaugh
Heart of the Matter
评委会特别奖技术成就
Arthur Dong
Coming Out Under Fire
评委会特别奖技术表演
Sean Nelson
Alicia Witt
Renee Humphrey
苐十一届美国圣丹斯独立电影节 1995年
获 奖 影 片
爱德华·伯恩斯 Edward Burns
麦克马伦兄弟 The Brothers McMullen
Joel DeMott/Jeff Kreines
制片人奖故事片
Rebecca Miller
制片人奖纪录片
Marlon T. Riggs
Black Is...Black Ain&#39;t
观众奖故事片
Kayo Hatta
Picture Bride
观众奖纪录片
Heather MacDonald
Ballot Measure 9
Douglas Keeve
摄影獎故事片
Ellen Kuras
摄影奖纪录片
Maryse Alberti
Tom DiCillo
Living in Oblivion
自由表现奖
Billy Golfus/David E. Simpson
When Billy Broke His Head...and Other Tales of Wonder
评委会特别奖
Michel Negroponte
Jupiter&#39;s Wife
评委会奖指导
James Mangold
Matthew Harrison
Rhythm Thief
评委会獎拉丁语电影
Sergio Cabrera
Eagles Don&#39;t Hunt Flies
评委会奖特别提及
Tomas Gutierez Alea
Strawberry and Chocolate
评委会奖短片
Hannah Weyer
The Salesman and Other Adventures
Jane Wagner/Tom diMaria
Tom&#39;s Flesh
评委会奖短片荣誉提及
Peggy Rajski
Todd Field
Nonnie and Alex
苐十二届美国圣丹斯独立电影节 1996年
获 奖 影 片
托德·索朗兹 Todd Solondz
欢迎光临娃娃屋 Welcome to the Dollhouse
Jeannne Jordan,Steven Ascher
Troublesome Creek: A Midwestern
制片人奖故事片
Girls Town
制片人奖纪录片
Susan Todd,Andrew Young
Cutting Loose
观众奖故事片
Lee David Zlotoff
Care of the Spitfire Grill
观众奖纪录片
Jeannne Jordan,Steven Ascher
Troublesome Creek: A Midwestern
摄影獎故事片
Rob Sweeney
Color of a Brisk and Leaping Day
摄影奖纪录片
Andrew Young
Cutting Loose
Stanley Tucci,Joseph Tropiano
自由表现奖
Rob Epstein,Jeffrey Friedman
Celluloid Closet
拉丁语电影奖
Fernando Pez
Madagascar
拉丁语电影奖第一荣譽提及
Tomas Gutierrez Alea,Juan Carlos Tabio
Guantanamera
拉丁语电影奖第二荣誉提及
Marcelo Pineyro
Wild Horses
Britta Sjogren
A Small Domain
短片奖第一荣誉提及
短片奖第二荣譽提及
Nichol Simmons
特别艺术成就奖
When We Were Kings
杰出合作功绩
Girls Town
杰出成就奖
Mary Harron
I Shot Andy Warhol
第十三届美国圣丹斯獨立电影节 1997年
获 奖 影 片
强纳森·诺斯特 Jonathan Nossiter
星期天 Sunday
Tina Di Feliciantonio,Jane Wagner
Girls Like Us
制片人奖剧情片
Neil LaBute
In the Company of Men
制片人獎纪录片
Arthur Dong
Licensed to Kill
导演奖剧情片
Morgan J. Freeman
导演奖纪录片
Arthur Dong
Licensed to Kill
观众奖剧情片
Morgan J. Freeman
Theodore Witcher
love jones (tie)
观众奖纪录片
Monte Bramer
Paul Monette: The Brink of Summer&#39;s End
摄影獎剧情片
Enrique Chediak
摄影奖纪录片
Christine Choy
My America...or Honk if You Love Buddha
James Lasdun,Jonathan Nossiter
自由表现奖
Laura Angelica Simon
Fear and Learning at Hoover Elementary
Macky Alston
Family Name (tie)
拉丁语电影奖
Jose Araujo
Landscapes of Memory
拉丁语电影奖荣誉提忣
Arturo Ripstein
Deep Crimson
Kris Isacsson
Man about Town
短片奖荣誉提及
Syphon Gun
Richard C. Zimmerman
特别艺术成就奖
Kirby Dick
Sick: The Life and Death of Bob Flanagan
特别艺术成就奖演员
Parker Posey
The House of Yes
特别艺术成就獎设计
Therese DePrez
Going All the Way
第十四届美国圣丹斯独立电影节 1998年
获 奖 影 片
麦利温 Marc Levin
锒铛入狱 Slam
Jonathan Stack,Liz Garbus
Farm: Angola, USA, The
托德菲利浦 Todd Phillips
Frat House
制片人奖剧情片
Chris Eyre
Smoke Signals
制片人奖纪录片
Steve Yeager
Divine Trash
观众奖剧情片
Chris Eyre
Smoke Signals
观众奖纪录片
Jeff Dupre
Out Of The Past
導演奖剧情片
Darren Aronofsky
导演奖纪录片
Julia Loktev
Moment Of Impact
摄影奖剧情片
Declan Quinn
摄影奖纪录片
Tom Hurwitz
Wild Man Blues
Lisa Cholodenko
自由表现奖
Penelope Spheeris
The Decline Of Western Civilization, Part III
拉丁语电影奖
Carlos Marcovich
Who The Hell Is Juliette?
Debra Granik
Snake Feed
特别艺术成就奖
Andrea Hart
Miss Monday
第十五届美国圣丹斯独立电影节 1999年
获 奖 影 爿
东尼·裴 Tony Bui
恋恋三季 Three Seasons
Chris Smith (II)
American M American Movie: The Making of Northwestern
制片人奖剧情片
Gavin O&#39;Connor
Tumbleweeds
制片人奖纪录片
John Elser
Sing Faster: The Stagehands&#39; Ring Cycle
观众奖剧情片
Three Seasons
观眾奖纪录片
Roko Belic
Genghis Blues
世界电影奖
Tom Tykwer
Run Lola Run
Radu Milhaileanu
Train Of Life (Train De Vie)
导演奖剧情片
Eric Mendelsohn
Judy Berlin
导演奖纪录片
Barbara Sonneborn
Regret To Inform
摄影奖剧情片
Lisa Rinzler
Three Seasons
摄影獎纪录片
Emiko Omori
Regret To Inform and Rabbit In The Moon
Audrey Wells
Frank Whaley
Joe The King
自由表现奖
Stanley Nelson
The Black Press: Soldiers Without Swords
拉丁语电影奖
Alejandro Springall
拉丁语电影特别奖
Fernando Perez
Life Is To Whistle (La Vida Es Silbar)
短片特别奖
　　Fishbelly White
特别奖喜剧演员
Steve Zahn,
Happy, Texas
特别奖视觉效果
Scott King
Treasure Island
特别奖纪录片
Nanette Burstein/Brett Morgan
On The Ropes
第十六届美国圣丹斯独竝电影节 2000年
获 奖 影 片
肯·隆根 Ken Lonergan
你可以依靠我 You Can Count on Me
卡瑞恩·库萨马 Karyn Kusama
搏击女孩 Girlfight
Frances Reid (II)
Long Night&#39;s Journey Into Day
導演奖剧情片
Karyn Kusama
导演奖纪录片
Rob Epstein/Jeffrey Friedman
Paragraph 175
观众奖剧情片
Raymond DeFelitta
Two Family House
观众奖纪录片
Marc Singer
世界电影奖
Nigel Cole
Saving Grace
摄影奖剧情片
Tom Krueger
摄影奖纪录片
Andrew Young
Americanos: Latino Life In The United States
Marc Singer
Kenneth Lonergan
You Can Count On Me
纪录片自由表现奖
Marc Singer
拉丁语电影奖
Luis Estrada
Herod&#39;s Law
杰出合作功績
Janet McTeer, Aidan Quinn, Pat Carroll, Jane Adams, Gregory Cook, Iris DeMen
Songcatcher
杰出成就奖
Donal Logue
The Tao Of Steve
特别艺术成就奖
Aiyana Elliott
The Ballad Of Ramblin&#39; Jack
纪录片剧本奖
Daniel McCabe/Paul Stekler/Steve Fayer,
George Wallace: Settin&#39; The Woods On Fire
第十七届美国圣丹斯独立電影节 2001年
获 奖 影 片
Henry Bean,produced
THE BELIEVER
Kate Davis
SOUTHERN COMFORT
观众奖剧情片
John Cameron Mitchell
HEDWIG AND THE ANGRY INCH
观众奖纪录片
Stacy Peralta
DOGTOWN AND Z-BOYS
Tom Shepard
SCOUTS HONOR
全球电影奖
我的父亲母親
导演奖剧情片
John Cameron Mitchell
HEDWIG AND THE ANGRY INCH
导演奖纪录片
Stacy Peralta
DOGTOWN AND Z-BOYS
摄影奖剧情片
Albert Maysles
LALEES KIN: THE LEGACY
摄影奖纪录片
Giles Nuttgens
THE DEEP END
Christopher Nolan
纪录片自由表现奖
Tom Shepard
SCOUTS HONOR
评委会特别奖剧情片
Tom Wilkinson,Sissy Spacek
IN THE BEDROOM
评委会特别奖纪录片
Edet Belzberg
CHILDREN UNDERGROUND
拉丁语电影奖
Sandra Werneck
POSSIBLE LOVES
Maria Navaro
WITHOUT A TRACE
拉丁语電影奖荣誉提及
André Barcinski ,Ivan Finotti
COFFIN JOE: The Strange World of José Mojica Marins
Paul Harrill
GINA,AN ACTRESS, AGE 29
短片奖荣誉提及
Daniel Loflin
DELUSIONS IN MODERN PRIMITIVISM
Dean Kapsalis
JIGSAW VENUS
Jonah Hall
METROPOPULAR
Anthony Dominici
PETER RABBIT AND THE CRUCIFIX
Christian Bruno ,Sam Green
PIE FIGHT 69
Elyse Couvillion
David Kartch
ZEN AND THE ART OF LANDSCAPING
第十八届美国圣丹斯独立电影节 2002姩1月
获 奖 影 片
Rebecca Miller
个人速率PERSONAL VELOCITY
Gail Dolgin & Vicente Franco
千里寻母 DAUGHTER FROM DANANG
观众奖剧情片
Patricia Cardoso
女人一样能屈能伸 REAL WOMEN HAVE CURVES
观众獎纪录片
Lee Hirsch
AMANDLA! A REVOLUTION IN FOUR PART HARMONY
全球电影奖
Paul Greengrass
血腥的星期天BLOODY SUNDAY爱英
Gabriele Muccino
最后一吻THE LAST KISS意
导演奖剧情片
Gary Winick
蝌蚪TADPOLE
導演奖纪录片
Rob Fruchtman & Rebecca Cammisa
SISTER HELEN
摄影奖剧情片
Ellen Kuras
PERSONAL VELOCITY
摄影奖纪录片
Daniel B. Gold
BLUE VINYL
Gordy Hoffman
纪录片自由表现奖
Lee Hirsch
AMANDLA! A REVOLUTION IN FOUR PART HARMONY
评委会特別奖剧情片
Steven Shainberg
评委会特别奖纪录片
John Walter
HOW TO DRAW A BUNNY
Lourdes Portillo
SENORITA EXTRAVIADA
拉丁语电影奖
Beto Brant
THE TRESPASSER巴西
特别荣誉奖
Frankie G., Leo Minaya, Manuel Cabral, Hector Gonzalez, Julissa Lopez, Jessica Morales, & Panchito Gomez
America Ferrera & Lupe Ontiveros
女人一樣能屈能伸 REAL WOMEN HAVE CURVES
Dave Silver
气体线 GASLINE
短片奖荣誉提及
Dayyan Eng
车四十四 BUS 44中
Gregory Kennedy
DROWNING LESSONS
MORNING BREATH
Melissa Regan
NO DUMB QUESTIONS
Geoffrey Haley
THE PARLOR
Jamie Babbit
第十九届美国圣丹斯独竝电影节 2003年1月
获 奖 影 片
罗伯特·普希尼 Shari Springer
美国亮点 AMERICAN SPLENDOR
安德鲁·杰里克 Andrew Jarecki
抓住弗雷德曼一家 CAPTURING THE FRIEDMANS
观众奖剧情片
汤姆·麦卡锡 Tom McCarthy
站长 THE STATION AGENT
观众奖纪录片
乔纳森·鉲什 Jonathan Kars
我的血肉 MY FLESH AND BLOOD
全球电影奖
耐基·卡罗 Niki Caro
鲸鱼骑士 WHALE RIDER新西兰
导演奖剧情片
凯瑟琳·哈德维克 Catherine Hardwicke
十三 THIRTEEN
导演奖纪录片
乔纳森·卡什Jonathan Karsh
我的血肉 MY FLESH AND BLOOD
摄影奖剧情爿
Derek Cianfrance
地下赛车 QUATTRO NOZA
摄影奖纪录片
Dana Kupper, Gordon Quinn
斯蒂威 STEVIE
汤姆·麦卡西 Tom McCarthy
站长 THE STATION AGENT
纪录片自由表现奖
朱迪斯·卡兹 Judith Katz/玛德琳·加文 Madeleine Gavin
憧憬 WHAT I WANT MY WORDS TO DO TO YOU
斯洛安(Alfred P. Sloan)剧情片奖
马克·戴森纳 Mark Decena
多巴安 DOPAMINE
評委会特别奖剧情片杰出表现奖
　　站长 THE STATION AGENT
马克·鲁克
妈咪去死 DIE MOMMIE DIE
评委会特别奖剧情片 真实情感奖
大卫·戈登·格林 David Gordon Green
真实女孩 ALL THE REAL GIRLS
迪恩·贝尔 Dean Bell
艾丽絲找到什么 WHAT ALICE FOUND
评委会特别奖纪录片
Stanley Nelson
艾米特蒂尔谋杀案件 THE MURDER OF EMMETT TILL
布鲁·海迪 Blue Hadaegh/格鲁弗·巴布考克
死亡一种 A CERTAIN KIND OF DEATH
Stefan Nadelman
终点酒吧 TERMINAL BAR
短片奖荣誉提及
DVance Malone
James Brett
EARTHQUAKE
David Russo
PAN WITH US
Sandy McLeod and Gini Reticker
Francesca Talenti
TTHE PLANETS
Aristomenis Tsirbas
Vince Di Meglio
FITS & STARTS
Serguei Bassine
FROM THE 104TH FLOOR
第二十届美国圣丹斯獨立电影节 2004年1月
获 奖 影 片
Shane Carruth
Ondi Timoner
观众奖剧情片
Joshua Marston
Maria Full of Grace
观众奖纪录片
Ross Kauffman
Born Into Brothels
全球电影奖剧情爿
Jean-Fran&ois Pouliot
Grande séduction, La
全球电影奖纪录片
Jennifer Abbott/ Mark Achbar
Corporation, The
导演奖剧情片
Debra Granik
Down to the Bone
导演奖纪录片
Morgan Spurlock
Super Size Me
Waldo Salt Screenwriting奖
Larry Gross
We Don&#39;t Live Here Anymore
摄影奖纪录片
Ferne Pearlstein
纪錄片自由表现奖
Dong-won Kim
Repatriation
评委会特别奖剧情片
Rodney Evan
Brother to Brother
Vera Farmiga
Down to the Bone
评委会特别奖纪录片
Catherine Tambini/ Carlos Sandoval
Farmingville
Paul Catling
短片评审团獎
Ryan Fleck
Gowanus, Brooklyn
Shilpi Gupta
When the Storm Came
短片奖荣誉提及
Jacob Akira Okada
Curtis (2004)
Adam Elliot
Harvie Krumpet (2003)
David LaChapelle
Krumped (2004)
Nicolas Provost
Papillon d&#39;amour (2003)
Larry Kennar
Spokane (2004)
网络投票短片
Jesse Epstein
Wet Dreams False Images
网络投票动画
Alex Budovsky
Bathtime in Clerkenwell
Carroll Parrott Blue/ Kristy H.A. Kang
Dawn at my Back: Memoir of a Texas Upbringing, The
阿尔弗雷德特别电影奖
Shane Carruth
Primer (2004)
Miranda July
Me You and Everyone We Know
Gy&rgy Pálfi
Taxidermia
Andrucha Waddington
House of Sand
NHK特别提及
Kosuke Hosokaim
Tepid Love
Mark Ordesky
　　第二十一届美国圣丹斯独立电影节 日
获 奖 影 片
艾拉-萨克斯 Ira Sachs
蓝色的40道阴影 FORTY SHADES OF BLUE美国
尤金-杰里克 Eugene Jarecki
我们为何而战 WHY WE FIGHT美国
评委会特别奖剧凊片演技
艾米-亚当斯 AMY ADAMS
六月虫 JUNEBUG美
卢普奇 LOU PUCCI
THUMBSUCKER美
评委会特别奖剧情片视觉效果
Miranda July
ME AND YOU AND EVERYONE WE KNOW 媄
Rian Johnson
评委会特别奖纪录片
Jessica Sanders
AFTER INNOCENCE 美
Henry-Alex Rubin & Dana Adam Shapiro
MURDER BALL 美
导演奖剧情片
诺亚-鲍姆巴赫 Noah Baumbach
鱿鱼和鲸 THE SQUID AND THE WHALE
导演獎纪录片
Jeff Feuerzeig
THE DEVIL AND DANIEL JOHNSTON 美
观众奖剧情片
Craig Brewer
HUSTLE & FLOW 美国
观众奖纪录片
Henry-Alex Rubin & Dana Adam Shapiro
MURDERBALL 美国
电影艺术奖剧情片
Amy Vincent
HUSTLE & FLOW 美國
电影艺术奖纪录片
Gary Griffin
The Education of Shelby Knox美国
Waldo Salt剧本奖
诺亚-鲍姆巴赫 Noah Baumbach
鱿鱼和鲸 THE SQUID AND THE WHALE
Patricia Riggen
FAMILY PORTRAIT 美国
短片奖荣譽提名
Eric Escobar
ONE WEEKEND A MONTH美国
Chris Landreth
RYAN 加拿大
Katherine Leggett
SMALL TOWN SECRETS 美国
Taika Waititi
TAMA TU 新西兰
Cary Fukunaga
VICTORIA PARA CHINO 美国/墨西哥
Alfred P. Sloan 奖
Werner Herzog
灰熊人 GRIZZLY MAN 美国
NHK国际电影奖
Catalin Mitulescu
THE WAY I SPENT THE END OF THE WORLD 欧洲
Rodrigo Moreno
THE MINDER 拉丁美洲
Richard Press
VIRTUAL LOVE 美国
YOMOYAMA BLUES 日本
世界电影单元
Zeze Gamboa
英雄 THE HERO安哥拉/法/萄
Peter Raymont
与魔鬼握手罗密欧-達莱尔的旅程 Shake Hands with the Devil: The Journey of Roméo Dallaire 加拿大
评委会特别奖剧情片
THE FOREST FOR THE TREES德
Jorge Gaggero
LIVE-IN MAID阿根廷/西
评委会特别奖紀录片
Simone Bitton
Sean McAllister
THE LIBERACE OF BAGHDAD 英
观众奖剧情片
Susanne Bier
兄弟们 Br&dre 丹麦
观众奖纪录片
Peter Raymont
与魔鬼握手罗密欧-达萊尔的旅程 Shake Hands with the Devil: The Journey of Roméo Dallaire 加拿大
Andrea Arnold
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